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Sir Max Aitken (Lord Beaverbrook): Documenting Canada’s Wartime Experience

This article was originally written and submitted as part of a Canada 150 Project, the Innovation Storybook, to crowdsource stories of Canadian innovation with partners across Canada. The content has since been migrated to Ingenium’s Channel, a digital hub featuring curated content related to science, technology and innovation.

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Jul 14, 2016
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Profile picture for user Musée canadien de la guerre
By: Canadian War Museum
Lord Beaverbrook (William Maxwell Aitken), ca. 1916: George Metcalf Archival Collection, Canadian War Museum 20020045-1675
Lord Beaverbrook (William Maxwell Aitken), ca. 1916: George Metcalf Archival Collection, Canadian War Museum 20020045-1675

Despite the enormous Canadian First World War effort, the government took a largely passive attitude to documenting the war. Luckily for Canada, and future generations, Sir Max Aitken (later Lord Beaverbrook) and Dominion Archivist Arthur Doughty successfully lobbied for better documentation and preservation of wartime activities. Aitken took it upon himself to establish the Canadian War Records Office (CWRO) in January 1916, with his own funds. 

The CWRO had two functions: to publicize the Canadian war effort and to ensure that there was a historical legacy. These two functions complimented one another and, by early 1916, Aitken used his considerable political influence as Canada’s official Eye Witness, a newspaper baron, and a member of Parliament to convince the British War Office to allow him to put photographers, painters, and cinematographers in the field.  All told, around 7,900 photographs were taken and 1,000 works of art were completed by approximately 100 CWRO artists to document Canada’s involvement in the First World War. The war art program has continued in various forms to this day. The collection is an important basis for research in many subject areas and is an invaluable source of information about Canada’s past.

An operation taking place in a Canadian Field Ambulance within an hour of the man being wounded, 1916: George Metcalf Archival Collection, Canadian War Museum 19920085-102

Three cheery wounded Canadians at an advanced dressing station on the battlefield at Cambrai, France, 1918: George Metcalf Archival Collection, Canadian War Museum 19930012-770

Ablain Saint-Nazaire (I) Painted by A. Y. Jackson in 1918: Beaverbrook Collection of War Art, Canadian War Museum 19710261-0193

Some Day the People Will Return Painted by Frederick Varley in 1918: Beaverbrook Collection of War Art, Canadian War Museum 19710261-0769

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The Canadian War Museum is Canada’s national museum of military history and one of the world’s most respected museums for the study and understanding of armed conflict.

The Museum traces its origins back to 1880, when it consisted primarily of a collection of militia artifacts. The Museum opened at its new location on the LeBreton Flats site in downtown Ottawa on May 8, 2005. Its opening not only marked the 60th anniversary of the end of the Second World War in Europe (V-E Day) but also the 125th anniversary of the Museum itself. Since its opening in 2005, the Museum has welcomed approximately 500,000 visitors every year.

https://www.warmuseum.ca

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